A growing discussion has sparked among practitioners surrounding Yang Junโs Essential 22 form as it compares to the well-known Beijing 24. Users express mixed views on execution, body movement, and training approaches, intensifying conversations across various forums recently.
Comments reflect a divide on the physicality of the Essential 22. Some argue, "There's not enough body behind the movements," critiquing it for a lack of fluidity. Another stated, "It looks very similar to the form I learned from one of CMC's students, but it seems too rigid." This sentiment resonates with several commenters who feel the form appears stiff and does not flow naturally.
The debate also touches on differences in physicality between styles. One commenter explained, "Most of Yang Chengfu's disciples have long arm and leg extension," providing context for the overall structure.
Conversely, appreciation for the Essential 22 persists, with users noting that "when you do it well, it feels fluid", indicating that mastery can lead to a different experience.
On a positive note, many still find the Beijing 24 to be a more approachable form for newcomers. "The 24 is pretty much a straight line back and forth," said a participant, emphasizing its simplicity and ease for beginners.
Movement Fluidity: Concerns raised about rigidity in the Essential 22 versus smoother transitions in Beijing 24.
Stylistic Differences: Discussions on how the form's physical demands reflect the larger frame associated with Yang Chengfu lineage.
Accessibility for Beginners: Beijing 24 remains favored for new practitioners due to its straightforward flow.
"Cloud Hands in the 22 is tricky. I actually prefer it," shared a participant, indicating that some find value in the complexity.
As discussions unfold, itโs clear that both styles have dedicated advocates. The debate surrounding these forms continues to evoke passion and diverse opinions from practitioners, reflecting deep-rooted sentiments in their respective practices.