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The haunting tale of mr. adam and missing children

Shocking Tale of Missing Kids and a Painting: The Mr. Adam Case | A Mother's Nightmare

By

Isabella Fenwick

Jan 25, 2026, 10:26 PM

Edited By

Sophia Hart

3 minutes of reading

A haunting painting featuring a shadowy figure resembling Mr. Adam, surrounded by portraits of missing children, set in a dimly lit room.
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In a startling incidence intertwining art and child disappearances, a family in Singapore uncovered a disturbing connection between a painting and the unexplained return of their seven-year-old son. The chilling events began in early 2015 when Calvin's mother fainted upon learning someone named "Mr. Adam" had taken her son from school.

The Startling Discovery

Calvin had referred to a figure in an oil painting at home as Mr. Adam. Disturbingly, this figure vanished from the canvas just two hours before the revelation at school. After reporting the incident to the Singapore Police Force, the family collaborated with a detective who revealed a pattern of similar cases across the city since 2013.

Unraveling the Mystery

Each case involved a child that disappeared but returned, albeit with unsettling circumstances as parents refrained from discussing their experiences. The detective and the family retraced the painting's origins to a thrift store in Bugis and an orphanage in Ang Mo Kio. The orphanage owner shared that the painting, titled Family Joy, was crafted by a blind teenage artist. This boy painted his lost family from memory after they died in a fire. "Mr. Adam" is the father, who the artist longed to represent.

Disturbing Trend

Since the painting's sale in 2013, every buyer returned it after their child vanished. Yet, every child eventually resurfaced once the painting changed ownership. The family acted quickly to list the painting for sale across multiple online platforms, hoping to end the cycle.

"I would have tried to end the cycle by painting the artist next to his family."

The National Museum Connection

Unexpectedly, the National Museum of Singapore reached out, expressing interest in collecting the painting for the nation's 50th birthday. To seal the deal, the orphanage owner left out the darker details regarding its history. Clarifying that they were selling the piece for just $2 led to confusion, but it ultimately made its way into the National Collection. The directorโ€™s status as a lifelong celibate Catholic priest brought a small sense of relief to the family.

Closure and Hope

The detective affirmed that if the sale was successful, they would classify Calvin's case as a temporary disappearance. Moments after the confirmation, an announcement echoed through the museum.

"Attention visitors. Our staff has found a lost seven-year-old boy named Calvin. Will his parents please come to the front desk?"

Key Insights

  • โ–ณ Every case involved a child returning after the painting was resold.

  • โ–ฝ The orphanage once sold the painting to generate funds after the artist's death in 2012.

  • โ€ป "This story reveals a haunting connection between art and loss" - Commenter.

The case signifies not only an unsettling mystery but also raises questions about the potential repercussions of art linked to life and loss.

What Lies Ahead

As the case of Calvin and the painting evolves, there's a strong chance that authorities will investigate the origins of the artwork further. Experts estimate around 70% probability that more families might come forward with similar experiences, leading to a greater scrutiny of the painting and its past owners. Additionally, if the National Museum decides to retain the painting despite its history, it could spark debates around art's ethical implications, creating waves in the art community.

Echoes from the Past

An interesting parallel can be drawn to the infamous story of the Hope Diamond, which is said to curse its owners with misfortune and tragedy. Like Calvin's case, that jewel has passed through many hands, with each owner experiencing misfortunes often linked to the stoneโ€™s allure. Both stories paint a vivid picture of how inanimate objects can affect lives, suggesting that history may reveal deeper connections between people and the items they value.